Shadows of the Unseen / Stegi Radio 52

52th episode of “Shadows of the Unseen” for stegi.radio Athens. Aired January 2026

1. Excerpts from King Lear (Jean-Luc Godard, 1987)
2. Rupert Hine, My Wife Is Waiting For Me (From The Shout, Jerzy Skolimowski, 1978)
3. Ann Kroeber & Alan Splet, Scenes from Just Beneath & From The Painting (From Sound Mountain Collection, compiled on I Thought I Heard a Stranger, 2025)
4. éric la casa, A Grammar for Listening (From A Grammar for Listening Part 2, Luke Fowler, 2009)
5. Alva Noto, Unwohl (For theatre play Komplizen, Simon Stone, 2021)
6. Misha Panfilov, Mystery Box 2 & Alone on the Dark (For theatre dance play Plan X, Kristjan Rohioja, 2021)
7. Oscar Rocchi & Fabio Fabor, Elettroterapia & Oro Sommerso & Quiet Theme (From library music record Dramatest, 1974)
8. Nino Rota, Ricordo di Henriette (From Il Casanova di Federico Fellini, 1976)
9. Cornish Sound Unit, Mark Jenkin, Dion Star, The Island Vanity & The Abandoned Sea Pools Of Man (From I Saw The Face Of God In The Jet Wash, Mark Jenkin, 2025)
10. Animal Collective, Blast & Sand Pumping (From Jetty, Sam Fleischner, 2024)
11. Lucrecia Dalt, Tape, Edge And Wood & Theme Three (From Rabbit Trap, Bryn Chainey, 2025)
12. Erik K Skodvin, Past Darkness (From From Darkness, Philip W. Da Silva, 2024)
13. Gianfranco Reverberi, Ninna Neve (From library music collection, early 1970s)

Echoes of Dissent (Vol. 8) // أحمد [Ahmed]

14 February 2026, STUK Leuven, in the context of Artefact. In collaboration with STUK, Sound In Motion & In vitro.

DUE TO UNFORTUNATE CIRCUMSTANCES THIS EVENT WAS CANCELED

Preceding the concert of أحمد [Ahmed] and on the occasion of the publication of a book compiling writings by and about أحمد [Ahmed], STUK is hosting an extensive conversation with the band members. We will discuss improvisation as investigation and making music as a medium of thought; the music and ideas of Ahmed Abdul-Malik and the Arabic and Muslim roots of Jazz and improvised music; the importance of probing in and into ‘jazz’ and the possibilities of new jazz nutation; أحمد [Ahmed] as an accommodating and radical vision of synthesis and open structure(s) and a shared space of (re-)imagination and (re-)interpretation.

19:45: doors
20:00: 1984 (Kobe Van Cauwenberghe, Mariam Rezaei & Sakina Abdou)
21:30: أحمد [ahmed]
22:30: end

+ 16:30 → 18:00: Echoes of Dissent (Vol. 8): Conversation with أحمد [Ahmed] (STEK Workspace)

In the context of the research project Echoes of Dissent (KASK & Conservatory / School of Arts Gent), in collaboration with In vitro.

The أحمد [Ahmed] publication is published by In vitro and KASK School of Arts

Edited by أحمد [ahmed]. Series editors: Stoffel Debuysere, Jef Lambrechts, Will Holder.

Stegi. radio Takeover documentation

Echoes of Dissent: A Lesson in Sonic Radicalism in Cinema
Listening session @ Stegi.Radio Takeover, Athens. 24 January 2025.

“Stegi Radio Takeover presents a listening session on the radical use of sound in cinema. In the session, researcher and curator Stoffel Debuysere will discuss with Yannis-Orestis Papadimitriou on various clips from experimental films that exemplify a different understanding of the aural components in cinema, coming from creators that used the audible to subvert and transcend established limits and rules in the cinematic medium. From underground film collectives to the visionary new languages articulated by cinema’s pioneers, the session will show how sound and music has been used as a tool that allowed filmmakers, whether coming from the periphery or oppressed minorities, to express their outsider perspective against the hierarchies of the medium — often as an explicit political statement.”

Pics by Erkin Gargili

Shadows of the Unseen / Stegi Radio 51

51st episode of “Shadows of the Unseen” for stegi.radio Athens. Aired December 2025

1. Excerpts from Moons Pool (Gunvor Nelson, 1973)
2. Bernard Parmegiani, Sables (from Sables, Lucien Clergues, 1970)
3. Excerpts from The Man Who Could Not See Far Enough (Peter Rose, 1981)
4. Sam Slater, A Storm is Coming (from 2000 Meters to Andriivka, Mstyslav Chernov, 2024)
5. Anton Garcia Abril & Marcello Giombini, Sequence 6 (from ..4..3..2..1 Morte, Carlo Lizzani, 1967)
6. Piero Umiliani & Alessandro Alessandroni, Corruzione Al Vertice (from Paese Sotto Inchiesta, 1971)
7. Excerpts from Mother, I Am Suffocating. This Is My Last Film About You (Lemohang Jeremiah Mosese, 2019)
8. Ben Babbitt, The Zwilling Hotline (from Paris Window, Amanda Kramer, 2018)
9. Excerpts from Her Right (Saodat Ismailova, 2020. OST by Seaming To)
10. Michael Stearns, Night Currents (from Floating Whispers, 1977)
11. Excerpts from The Great Sadness of Zohara (Nina Menkes, 1983)
12. Sam Slater, Everything is Destroyed (from 2000 Meters to Andriivka, Mstyslav Chernov, 2024)

The Art of Resonance: Irene Revell & Sarah Shin

The research cluster THE ART OF RESONANCE (KASK & Conservatory Gent) is organising a series of informal listening sessions with international artists and researchers, with an eye (and ear) to cultivating a sonic sensibility and relationality.

Herculeslab — KASK & Conservatorium / School of Arts Gent
Thu 27 November 2025 16:00

Irene Revell and Sarah Shin are both curators, writers, editors and researchers who work with artists across sound, text, performance and moving image. In 2022 Irene completed her practice-based doctoral thesis, Live Materials: ‘Womens Work’, Pauline Oliveros and the Feminist Performance Score, with a focus on the curatorial challenges posed by text instruction scores and related live ephemera. She is currently developing a long-term project that attends to artists working with text/instruction/scores in areas that span queer-feminist and decolonial listening, disability justice and expanded forms of practice that might be termed “score-thinking”. Sarah co-founded Silver Press in 2017, and the experimental platform Ignota a year later, after a decade at Verso. Dedicated to collaboration, Shin is also a founder of Standard Deviation, a collective exploring the coincidence of psychic, geometric and inhabited spaces, and New Suns, a curation and storytelling project from feminist perspectives and practices. In 2024 they launched the anthology book project Bodies of Sound: Becoming a feminist ear, which offers a resonant exploration of feminist sonic cultures and radical listening. Bodies of Sound will be presented the day after, 28 November, at Rile Books in Brussels.

This event is supported by the Doctoral School for Humanities and Social Sciences, KU Leuven, and LUCA School of Arts, in collaboration with VUB and the research cluster The Art of Resonance (KASK School of Arts). It is made possible through OJO funding, with the support of the Flemish Government.