Shadows of the Unseen / Movement Radio 45

45th episode of “Shadows of the Unseen” for stegi.radio Athens. Airing February 2025

1. Dean Hurley, Intro Cymbal Wind (From Twin Peaks Season 3, David Lynch & Mark Frost, 2017)
2. Excerpt from Twin Peaks Season 3 (David Lynch & Mark Frost, 2017)
3. Jimmy Scott, David Lynch, Angelo Badalamenti, Sycamore Trees Wind (From Twin Peaks Season 2, David Lynch & Mark Frost, 1991)
4. Trent Reznor, Videodrones; Questions (From Lost Highway, David Lynch, 1997)
6. Angelo Badalamenti, The Pink Room (From Twin Peaks: Fire Walk with Me, David Lynch, 1992)
7. Excerpt from Wild at Heart (David Lynch, 1990)
8. Angelo Badalamenti & David Lynch, Slow Speed Orchestra 2 (Unease Motif / The Woods) (From Twin Peaks Season 3, David Lynch & Mark Frost, 2017)
9. Excerpt from Inland Empire (David Lynch, 2006) :
10. Alan Splet & David Lynch, Digah’s Stomp (From Eraserhead, David Lynch, 1977)
11. David Lynch, Ghost of Love (From Inland Empire, David Lynch, 2006)
12. Dean Hurley, Interior Home by The Sea (From Twin Peaks Season 3, David Lynch & Mark Frost, 2017)
13. Excerpt from Twin Peaks Season 1 (David Lynch & Mark Frost, 1990) :
14. Angelo Badalamenti, Twin Peaks Theme (Alternate Version) (From Twin Peaks Season 1, David Lynch & Mark Frost, 1990)
15. Alan Splet, David Lynch, Peter Ivers, In Heaven (From Eraserhead, David Lynch, 1977)
16. Angelo Badalamenti, David Lynch, Rebekah del Rio, Lloranda (From Mulholland Drive, David Lynch, 2001)
17. Angelo Badalamenti, Julee Cruise, Mysteries Of Love (From Blue Velvet, David Lynch, 1986)
18. Angelo Badalamenti, Nostalgia (From The Straight Story, David Lynch, 1999)
19. Angelo Badalamenti, Nightsea Wind / Dark Mood Woods / The Red Room (From Twin Peaks Season 1, David Lynch & Mark Frost, 1990)
20. Excerpt from Twin Peaks: Fire Walk with Me, David Lynch, 1992 :

In the Midst of the End of the World: António Reis and Margarida Cordeiro

António Reis and Margarida Cordeiro created one of the most singular bodies of work in the history of Portuguese cinema, deeply influencing its development. Made between 1974 and 1989, their films deal with rural communities, rituals, and landscapes, blending reality, fiction, ethnography and poetry into a lyrical evocation of the northeastern Portuguese region of Trás-os-Montes, known for its cultural, natural, and political specificities.

Following Courtisane’s multiple programs dedicated to the filmmakers’ work, this volume gathers a selection of texts for the most part available in English for the first time. It also includes interviews with Cordeiro and Reis conducted throughout the 1970s, ’80s, and ’90s, which map the filmmakers’ conception of art, film, and their own practice. This archival record is complemented with more recent sources, which provide a distanced, historical assessment of their work, as well as some newly commissioned critical texts and a smattering of poems and literary fragments that are featured in their films.

Published by Courtisane
In collaboration with Sabzian
Compiled and edited by Raquel Morais and Stoffel Debuysere

Special thanks to DGLAB / Cultura, Camões, IP – Portugal, the Experimental Humanities Collaborative Network (EHCN), Instituto do Cinema e do Audiovisual (ICA) and Cinemateca Portuguesa-Museu do Cinema for their support.

Order HERE.

The Art of Resonance: Christina Hazboun

From November 2024 onward, the research cluster THE ART OF RESONANCE (KASK & Conservatory Gent) is organising a series of informal listening sessions with international artists and researchers, with an eye (and ear) to cultivating a sonic sensibility and relationality.

Herculeslab — KASK & Conservatorium / School of Arts Gent
24 April 2025 16:00

Christina Hazboun is a Sonic Agent, surfing soundwaves in search of ear-gasms, exploring music and sound in space, time and society. Her multifarious adventuring through music and sound manifest through an intersectional web of activities aimed at amplifying the voices of the underheard from the SWANA and the global majority via poetic and research based texts, audio/sound collages, workshops, and curation with a focus on music industries, gender diversity and digital connectivity. Her main sphere of activity focuses on increasing the appearance and audibility of new sounds and music from West Asia, North Africa and the global south sharing hybrid, diverse and powerful voices with those who come with an open ear.

In collaboration with the research project Transnational Solidarity (Mohanad Yaqubi, KASK School of Arts).

Echoes of Dissent (Vol. 5) X-Ray Hex Tet // Documentation

Sat 19 October 2024 > Sun 20 October 2024, les Ateliers Claus Brussels

What could it mean to practice politics by performing music? How could musical improvisation – as a process of collectively searching for sounds and for the responses that attach to them, rather than thinking them up, preparing them and producing them – reconfigure our sense of the world? How can we experience and understand music not simply as what presents itself in the context of sound-phenomena-organized-in-time-and-exchanged-for-cash within the factory of post/industrial capitalism, but also, as an aesthetic-poetic-political mode of enquiry, a mode of perception, a way of learning and sharing – in and outside of the vibrations of sound or the marks of language?

These and other questions will be explored over two days through the practice of X- Ray Hex Tet – an ongoing collaboration between:

Billy Steiger – celeste and violin
Crystabel Riley – drums
Edward George – words and music
Pat Thomas – piano and electronics
Paul Abbott – drums and synthetic sounds
Seymour Wright – alto saxophone (actual and potential)

Six musicians of different backgrounds working at the margins of what is (to many) acceptable in terms of music, genre, technique, interpretation, history and ‘tradition’; a set of subjectivities, energies and philosophies who, in dialogue together, venture and probe the awkward wealth and friction of investigation, finding pleasure (and treasure) in searching for the hidden, secret, and mysterious at the edges of music and meaning.

In the context of the research project Echoes of Dissent (KASK & Conservatory / School of Arts Gent). In collaboration with Courtisane, Auguste Orts and In vitro, with the support of VGC (Vlaamse Gemeenschapscommissie) and Q-O2.