X-Ray Hex Tet Reader

For the programme Echoes of Dissent (Vol. 5) // X-Ray Hex Tet (19 – 20 October 2024, Les Ateliers Claus Brussels) and the research project Echoes of Dissent (KASK & Conservatory / School of Arts Gent), we compiled a reader. Please mail me if you want me to send a copy.

CONTENT

1. Nathaniel Mackey, ‘All Day Music’. From Nathaniel Mackey, Double Trio, New York: New Directions (2021).
2. Gregg Bordowitz & Fred Moten, ‘Precedent’. Transcribed from Some Styles of Masculinity Book Launch with Gregg Bordowitz & Fred Moten (October 2, 2021). https://www.youtube.com/watch?v=udCjZGTEwkw&t=788s (13’08-18’17).
3. Stuart Hall, ‘Conjuncture’. Transcribed from Stuart Hall: Through the Prism of an Intellectual Life (2004). https://www.youtube.com/watch?v=jY4Ve_r1PHU (media foundation transcription).
4. Nathaniel Mackey, ’14. VI. 78’. From: Nathaniel Mackey, Bedouin Hornbook (From a Broken Bottle Traces of Perfume Still Emanate: Volume 1), Lexington : University of Kentucky (1986).
5. Excerpt from Jean Lave and Etienne Wenger, Situated Learning. Legitimate peripheral participation, Cambridge: University of Cambridge Press (1991).
6. James G. Spady, ‘Interview with Sylvia Robinson’. From James G. Spady, Charles G. Lee, H. Samy Alim, Street Conscious Rap, Philadelphia, PA: Black History Museum Umum/Loh Pub (1999).
7. Aurelia Martín-Casares and Marga G. Barranco, ‘The Musical Legacy of Black Africans in Spain: A Review of Our Sources’, Anthropological Notebooks 15, no. 2 (2009).
8. Anne Carson, ‘On the Total Collection’. From: Anne Carson, Short Talks, Brick Books (1992).
9. Excerpt from Crystabel Riley, ‘Skincare/Uncare’, Beauty Papers (online) (2018).
10. Abstract from Cristiana Costa da Rocha, ‘The Limits between Exploration and Slavery in the Carnauba Wax Cycle’, Belo Horizonte 77 (2020).
11. Jacques Derrida, ‘The Law of Genre’ (Trans. by Avital Ronell), Critical Inquiry 7 (1980).
12. Marie Prince, The history of Mary Prince: A West Indian slave. Related by herself (1831)

Reader compiled by X-Ray Hex Tet. edited by Stoffel Debuysere. Design by Ran de Vos (In Vitro). In collaboration with Les Ateliers Claus, Courtisane, Auguste Orts and In Vitro, with the support of VGC (Vlaamse Gemeenschapscommissie) and Q-O2. 

汾阳的喧嚣 Ironic Resonance, Anti-sound Design and Radical Cacophony in Jia Zhangke’s 小 Xiao 武 Wu

The interrogation of the relationship between cinema and politics is predominantly associated with the visual domain, where the politics of the audio-visual is all too often reduced to the politics of the image. The publication series Echoes of Dissent aims to parry the hegemony of the eye, and subsequent disregard for the ear, by examining the relationship cinema–politics from a sonic perspective.

Echoes of Dissent #2: 汾阳的喧嚣 Ironic Resonance, Anti-sound Design and Radical Cacophony in Jia Zhangke’s 小 Xiao 武 Wu by Morgan Quaintance. Published by Courtisane in March 2024.

The publication series is initiated and edited by Stoffel Debuysere, in the context of the research project with the same title at KASK & Conservatory / School of Arts Ghent.

Publication available via Courtisane bookshop

Breath, Rhythm, Silence, Resonance: Listening Beyond Seeing in the Films of Trinh T. Minh-ha

The interrogation of the relationship between cinema and politics is predominantly associated with the visual domain, where the politics of the audio-visual is all too often reduced to the politics of the image. The publication series Echoes of Dissent aims to parry the hegemony of the eye, and subsequent disregard for the ear, by examining the relationship cinema–politics from a sonic perspective.

Echoes of Dissent #1: Breath, Rhythm, Silence, Resonance: Listening Beyond Seeing in the Films of Trinh T. Minh-ha by David Toop. Published by Courtisane in March 2023.

The publication series is initiated and edited by Stoffel Debuysere, in the context of the research project with the same title at KASK & Conservatory / School of Arts Ghent.

Publication available via Courtisane bookshop

Kathleen Collins – Losing Ground

On the occasion of the online screening of Kathleen Collins’ Losing Ground on 3 June 2021, jointly organized by Courtisane and Sabzian, Sabzian published several writings and interviews.

► Oliver Franklin: An Interview: Kathleen Collins
► David Nicholson: A Commitment to Writing. A Conversation with Kathleen Collins Prettyman
► Kathleen Collins: “I refuse to create mythological characters”
► Kathleen Collins: A Place in Time and Killer of Sheep: Two Radical Definitions of Adventure Minus Women

Out of the Shadows publication

Out of the Shadows
Assia Djebar, Jocelyne Saab, Heiny Srour, Selma Baccar, Atteyat Al-Abnoudy

All of us, all of us who come from the world of women in the shadows, are reversing the process: at last it is we who are looking, we who are making a beginning.
– Assia Djebar

Exploring a cinematic history as extensive and rich as that of the Arab Mediterranean, one is faced with an exhilarating range of forms and manifestations. From the era of silent film up to the present, the regional cinema cultures of the Maghreb and the Mashriq have produced a myriad of remarkable works. Yet, when poring over the canonical historiographies of cinema, one cannot help but being struck by their relative obscurity, which is even more striking when it comes to films that have been made by women. Although there has been a notable rise of Arab female film directors in recent decades, the work of many pioneers tends to remain painfully neglected.

The Out of the Shadows film programme, originally conceived for the Courtisane festival 2020 in Ghent, was intended to revitalize the work of a diversity of filmmakers whose films remain overlooked and barely screened. Five of these filmmakers are presented in this Dossier: Atteyat Al-Abnoudy, Selma Baccar, Assia Djebar, Jocelyne Saab and Heiny Srour. Coming from different backgrounds and regions, these filmmakers all began to produce films in the 1970s, at a moment of great political and cultural ferment. Often working against the grain, they set out to attend to voices and stories that were at risk of being drowned out by official History. While each of these filmmakers developed their own bold approaches to cinema, their works explore shared themes such as memory and identity, oppression and liberation, violence and exclusion, and the social and political role of women in Arab societies and histories.

Each of these filmmakers has been shaped by different traditions and realities, for the Arab woman filmmaker exists no more than the Arab woman. Accordingly, this programme seeks to follow Assia Djebar’s appeal “not to presume ‘to speak for’ or, even worse, to ‘speak on’, barely speak near to, and if possible, to speak right up against”. In this vein, this publication brings together a selection of writings and interviews that speak “right up against” the films in the programme. The texts, most of which have been translated for the first time in English, are a testament to the women’s singular practices. They have been brought together here, right up against one another, in the hope of illuminating their rich and inspiring work and widening its reach and appreciation.

Stoffel Debuysere (Courtisane) and Gerard-Jan Claes (Sabzian)

Compiled on the occasion of the Out of the Shadows programme, originally conceived for the Courtisane festival 2020 (Ghent, 1-5 April).

Programme curated by Stoffel Debuysere, in collaboration with Reem Shilleh and Mohanad Yaqubi (Subversive Film), Christophe Piette and Céline Brouwez (CINEMATEK), with the support of AFAC – The Arab Fund for Arts and Culture.

Copy editing by Rebecca Jane Arthur, Sis Matthé, Heiny Srour, Michel Euvrard, Richard Wagman, Suzanne Kallalá

Thanks to Mai Abu ElDahab, Mireille Calle-Gruber, Sylvia Dallet, David Depestel, Marjolijn de Jager, Yasmin Desouki, Asmaa Yehia El-Taher, Olivier Hadouchi, Mary Jirmanus Saba, Lucien Logette, Natasha Marie Llorens, Monique Martineau Hennebelle, Colleen O’Shea, Mathilde Rouxel, Reem Shilleh, Heiny Srour, Wassyla Tamzali, Stephanie Van de Peer, Katrien Vuylsteke Vanfleteren, Magda Wassef, Mohanad Yaqubi, Debra Zimmerman, and many others without whom this publication would never have come to fruition.

Publication available via Courtisane bookshop