Category: Conversations
The Art of Resonance: Marla Hlady & Christof Migone 12.11.25 AUDIO
The Art of Resonance: Max Eastley & Rie Nakajima 14.10.25 AUDIO
The Art of Resonance: Jennifer Lucy Allan
The research cluster THE ART OF RESONANCE (KASK & Conservatory Gent) is organising a series of informal listening sessions with international artists and researchers, with an eye (and ear) to cultivating a sonic sensibility and relationality.
Herculeslab — KASK & Conservatorium / School of Arts Gent
Wed 22 April 2026 16:00
Jennifer Lucy Allan is a writer, researcher and broadcaster. She has acquired a PhD at CRiSAP (UAL) on the social and cultural history of the foghorn, which became the foundation of her first book, The Foghorn’s Lament (White Rabbit Books, 2021). She is also a presenter of BBC Radio 3’s Late Junction, and is a freelance music journalist specialising in underground and experimental music. Previously she was online editor for The Wire, and now freelances for The Wire, The Quietus, The Guardian and others. She co-runs the record labels Arc Light Editions and Good Energy, and is a member of Laura Cannell’s Modern Ritual Collective, and the Cafe OTO Experimental Choir. She has recently published her second book, Clay: A Human History (Pegasus Books, 2024), and has been working on an essay on the soundtracks in the films of Sogo Ishii (forthcoming).
On Thu 23 April Jennifer Lucy Allan will introduce The Crazy Family (1984) by Sogo Ishii and present her brand new publication on the role of sound and music in the work of Sogo Ishii. As part of the research project Echoes of Dissent (Stoffel Debuysere, KASK School of Arts), in collaboration with Courtisane.
The Art of Resonance: Paul Abbott
The research cluster THE ART OF RESONANCE (KASK & Conservatory Gent) is organising a series of informal listening sessions with international artists and researchers, with an eye (and ear) to cultivating a sonic sensibility and relationality.
Herculeslab — KASK & Conservatorium / School of Arts Gent
Wed 11 March 2026 16:00
Paul Abbott is a musician and drummer. He plays with the drum kit, synthetic sounds, performance and writing. He explores music as an ecology: in which the interaction of sounds, signs and the physical body grow real and imaginary music. His work is often concerned with creating practical and fictional structures to facilitate improvisation and experimental musical play. Projects include: XT with Seymour Wright; XT+Pat Thomas; Kavain Wayne Space (RP Boo) Trio with XT; XT+Anne Gillis; X Ray Hex Tet; yPLO with Micheal Speers; F.R.David, very good* & Rosmarie with Will Holder; film sound for Keira Greene and The Creaking Breeze Ensemble with Nathaniel Mackey. He was a co-founder and co-editor of Cesura//Acceso journal for music, politics and poetics, and completed Creative Music Practice PhD research at Edinburgh University, titled “Playing no solo imagination: synthesising the rhythmic emergence of sound and sign through embodied drum kit performance and creative writing.”




