A conversation between KMRU and Stoffel Debuysere about the complex sound specter of our environments and surroundings, the struggle against sonic colonialities and the potential of emancipatory listening. 2 April 2026, Gent. In the context of Courtisane festival 2026 and the research project Echoes of Dissent (KASK & Conservatory / School of Arts Gent).
Category: Conversations
Conversation with Rhayne Vermette VIDEO
A conversation between Rhayne Vermette and Stoffel Debuysere about the surreal possibilities within the insipid, the improvisatory force of collective production and the cinematic implications of sound and music. 2 April 2026, Gent. In the context of Courtisane festival 2026 and the research project Echoes of Dissent (KASK & Conservatory / School of Arts Gent).
Conversation with Simon Fisher Turner VIDEO
A conversation between Simon Fisher Turner and Stoffel Debuysere after a screening of Derek Jarman, Archaeologies of Sound and Soul- short films, 4 April 2025. In the context of Courtisane festival 2025 and the research project Echoes of Dissent (KASK & Conservatory / School of Arts Gent).
The Art of Resonance: Maria Chávez
The research cluster THE ART OF RESONANCE (KASK & Conservatory Gent) is organising a series of informal listening sessions with international artists and researchers, with an eye (and ear) to cultivating a sonic sensibility and relationality.
Herculeslab — KASK & Conservatorium / School of Arts Gent
Thu 19 March 2026 17:30, in the context of Research Days
Born in Lima, Peru and based in NYC, Maria Chávez is best known as an abstract turntablist, sound artist and DJ. Coincidence, chance and failures are themes that unite her work across mediums, including improvised performance, sound sculpture, visual art, book objects and multi-channel installation.
During this session, she will introduce her groundbreaking improvisational turntabling practice, centered on connections between material and temporal failure, and experimentation, through the use of broken vinyl records. The session will draw directly from Chávez’s long engagement with Deep Listening, a practice developed by Pauline Oliveros, emphasizing embodied attention, improvisation, and responsiveness to environment and materials. Here, play operates as a method of research, where experimentation and risk-taking generate knowledge through action rather than instruction.

