Antoine de Baecque’s account of the production process of ‘Ici et Ailleurs’ is taken from ‘Godard: biographie’ (Grasset, 2004) and was translated by Ted Fendt. Serge Daney’s text was presented in New York at the first ‘Semaine des Cahiers du Cinéma’ in 1977 and was translated by Laurent Kretzschmar and Bill Krohn. In February 1969, … Continue reading Daney and de Baecque on Ici et Ailleurs
4 – 30 OCTOBER, 2018, CINEMATEK, BRUSSELS. An initiative of CINEMATEK and Courtisane, in collaboration with Le Service de Culture cinématographique (SCC). Curated by Stoffel Debuysere with Céline Brouwez. “The love experience will be reshaped into a relationship that is meant to be between one human being and another, no longer one that flows from … Continue reading Anne-Marie Miéville retrospective Brussels
By Serge Daney Originally published as ‘L’ ethnographie militante de Thomas Harlan’, Cahiers du Cinéma n° 301 (June 1979) Torre Bela is first of all an extraordinary document, of a type that emerges occasionally from the heart of a struggle or from boundary situations, when the determination to “keep on filming” surpasses the ideas – … Continue reading The militant ethnography of Thomas Harlan
”The love experience will be reshaped into a relationship that is meant to be between one human being and another, no longer one that flows from man to woman.” This quote from Rainer Maria Rilke, which adorns the end of Lou n’a pas dit non (1994), encapsulates the essence of Anne-Marie Miéville’s quest, which is … Continue reading Pas de deux, The Cinema of Anne-Marie Miéville – Publication
2016 / 256 pages / 21 x 14,8 cm Published by AraMer This manuscript came about in the framework of the research project Figures of Dissent (KASK / University College Ghent School of Arts, 2012-2016). Research financed by the Arts Research Fund of the University College Ghent. How can the relation between cinema and politics … Continue reading Figures of Dissent // book